I don’t think you can define how you acquire your imagination any more than you can define why one person has a sense of humor and another doesn’t. But I certainly would lean to the side that says all those solitary hours of daydreaming were a kind of training for poetry.
I am a candid interview and I have a dark and dry sense of humor – a very Canadian sense of humor and I am only learning now stupidly that you can’t read tongue. When I say something funny in a newspaper and I meant it to be funny, it doesn’t read that way.
It’s great to be able to connect parents with children both emotionally and through humor. I look forward to exploring family entertainment once again and examining the specifics of our day-to-day lives against the backdrop of an extraordinary adventure.
Sometimes I’ll be sitting with my friends; I’ll say something Koothrappali-esque and make a face. There is a lot of Koothrappali in me as a human being. A lot of mannerism, humor, mischievousness, my innocence. So I don’t know if I bring him home so much as I bring myself to him at work.
It’s amazing how many companies aren’t really in tune to the needs of different travelers. There’s just so many embarrassing situations that you go through when you travel. You have to have a sense of humor about it and take it in stride. My whole approach is to embrace spontaneity.
I would say just start writing. You’ve got to write every day. Copy someone that you like if you think that perhaps could become your sound, too. I did that with Hemingway, and I thought I was writing just like Hemingway. Then all of a sudden it occurred to me – he didn’t have a sense of humor. I don’t know anything he’s written that’s funny.
I was a product of a divorced family and I used humor as a weapon to combat sadness. I used comedy to make my mother laugh in light of the darkness that she faced, and to me it became a very powerful tool at a very young age, at six. I saw how therapeutic it could be.
I can’t speak for the Jewish population, but I attribute my sense of humor to the tragic moments of my life. The best way to overcome certain tragedies is to develop a thick skin and sense of humor about things. Of course, I am very politically conscious and careful about my comedy. But when I do push an envelope, it’s with a purpose.
My platform has been to reach reluctant readers. And one of the best ways I found to motivate them is to connect them with reading that interests them, to expand the definition of reading to include humor, science fiction/fantasy, nonfiction, graphic novels, wordless books, audio books and comic books.
Obviously, I’m going to be embarrassing to the kid. There’s just no way not. I just hope the kid has a really good sense of humor… My husband’s very serious – he doesn’t find me funny at all – so I’m hoping the kid is like, ‘Mom is hilarious!’ That’d be really great.
It is quite true, as some poets said, that the God who created man must have had a sinister sense of humor, creating him a reasonable being, yet forcing him to take this ridiculous posture, and driving him with blind craving for this ridiculous performance.
I think films about men are often about characters who don’t want to express their feelings. You’re supposed to kind of admire them for not expressing their feelings. And I feel that’s a bit dull. Women’s stories often have stronger emotional content, which I enjoy doing. What I really love doing is mixing that with humor.
My mom is just authentically herself all the time. She loves herself. She loves her sense of humor. She brings people in when she talks. She brings people in when she laughs. Watching her, I think that that’s when I first learned and was encouraged to be myself and to sort of love and live in that way.
The only way I could get comfortable around people was to make them laugh. I was an obedient girl, and humor was my one form of rebellion. I used comedy to deflect. Like, ‘Hey, check out my zit!’ – you know, making fun of yourself before someone else has a chance to.
When you meet someone new who instantly gets you, your sense of humor and your attitudes and your worldview, even if theirs are different – and you get them in return. You both talk and talk and agree and laugh and nod and yes, yes, of course you should get another round of drinks.
Humor is very very risky, particularly for a candidate, unless he’s been in so long that it just doesn’t matter, and he’s not running for president. But it’s just that people are so sensitive and so touchy, and you’re just going to upset somebody without ever realizing it.
All I do is have fun. When I’m not working, it’s about making people laugh. I love making jokes about things. Even when someone’s mad at me, I’ll deflect anger with humor. My days are filled with laughter. If I’m not laughing, I’m not happy.
You didn’t have to know anything about show business to appreciate the characters’ humor, because at its heart, ‘Party Down’ was about following dreams, dealing with rejection, and surviving all the lame jobs we’ve all had to work just to get by in the meantime.
I suppose I look for humor in most situations because it humanizes things; it makes a character much more three-dimensional if there’s some kind of humor. Not necessarily laugh-out-loud type of stuff, just a sense that there is a humorous edge to things. I do like that.
In a band with humor, it’s easy to be a caricature, especially when you’ve been around as long as we have. But we sing those songs as genuine as we can, always from the heart. When we do the fish sounds in ‘Rock Lobster,’ Cindy and I are pouring our hearts out.
I’m drawn to the unconventional because I’ve been drawn unconventionally. I believe that I’m supposed to topple over these false images of what’s idealistically beautiful. Because, of course, these intangible qualities are very attractive to women. Sincerity. Sense of humor. Success.
I majored in extracurriculars, honestly. I joined the Harvard Stand Up Comedy Society, which is a ragtag band of misfits. I wrote for ‘On Harvard Time,’ which was a student TV show trying to be ‘The Daily Show.’ And I wrote a humor column for ‘The Crimson’ starting my sophomore year.
Through the years, I have been overwhelmed by the number of people who have shared how much they relate to my ‘Sordid Lives’ family, and how many gay men and women used it to come out to their conservative families through the humor of the film.
I come from a family of teasers myself. My grandfather was from Liverpool, and he had a dry sense of humor, and he would tease us terribly. My brother Beau was so skilled in his teasing that he could get a rise out of me by simply pointing at me.
I’ve been encouraging documentary filmmakers to use more and more humor, and they’re loath to do that because they think if it’s a documentary it has to be deadly serious – it has to be like medicine that you’re supposed to take. And I think it’s what keeps the mass audience from going to documentaries.
