People get really nuts around cars. They get angry at cars, they get angry at their car, they get angry at people driving in cars; there’s something really comical about that, about automobiles.
It’s said that the definition of insanity is doing the same thing over and over again and expecting a different result. In that case, the WWE ‘creative’ team must be as crazy as a rainbow trout in a car wash.
Having a house with seven-and-a-half acres of land and a swimming pool wasn’t really on my agenda when in my old job and while I haven’t spent too much money on cars or any other expensive gadgets, I did treat myself to a JCB digger.
My father’s nephew was the blues musician, Lowell Fulson. Every time he came around, he had a pretty car, a beautiful woman and a slick sharkskin suit. Believe it or not, that’s how I decided I wanted to get into music.
After the release of my first film ‘Gangothri,’ my father was so happy that he surprised me by buying me a swanky high-end car.
I will stay in the car until the last minute that I’m going to jump out and do a standup or jump out and do some interviews.
Our dad is not one to impart advice or gloat or reminisce about the good old days. But he’s a race car guy, been a car guy forever, and he always wants to talk about cars.
A man sits in his car at the traffic lights, waiting for them to go green.
People don’t understand that it was maybe my biggest pleasure to drive an F1 car when it’s wet.
I really like my cars. The way I see it, if I work then I can treat myself to these presents.
I do love cars.
Everything officers go through in any chase anywhere in the country, but amped up 100 times! I’m right in the thick of things in a car going like 80 miles an hour, and doing 360s in the middle of the road. It was a wild ride.
Fast cars like Porsches and Ferraris – they are things of beauty.
How we get power, how cars are powered, when the technology and resources to have something that is infinitely better, we still use old-school technology. We’re still using that same exact structure.
I think, ultimately, if you create characters that people like and can relate to, your characters are grounded on a human level even if your cars are not.
I’m sick of seeing the immigrants in the hotels and the Italians who sleep in cars. This is the racist country.
You sell a screenplay like you sell a car. If someone drives it off a cliff, that’s it.
I was a car journalist when I started on ‘Top Gear.’ It was all about cars. And then it all spun out of all control, and we turned into figures of ridicule to keep the viewers happy. It’s a fair deal, I suppose.
All you need is self-driving cars to destabilize society.
I’ll always be into sports. Sports is part of my life forever. My TV stays on ESPN all day long, I’m one of those. I don’t even listen to music in the car; all I listen to is sports talk.
Yeah, I like cars and basketball. But you know what I like more? Bananas.
I’m very fond of Tennessee Williams’ plays, and when my husband and I went to New Orleans in the late 1970s, we saw ‘A Street Car Named Desire.’
A lot of money eliminates a category of worry. If your car breaks down, you’re still going to get through the day. But it doesn’t make you a happy person if you weren’t a happy person before.
Every time you try to create an experience with a character who doesn’t use a gun, doesn’t drive a car, doesn’t jump off platforms, doesn’t solve puzzles, you are taking a risk.
My first car was a ‘69 Holden, which is an Aussie car.
