Knowing failure is part of our process, and leads to new ideas, stronger work, and more honest questions, liberates us to peer, a little less frightened, into the unknown.
Ideas rarely come out whole. They change as they get brought to life. New constraints appear, new directions suggest themselves, and new influences come to bear.
It is the daily task of the creative to be curious and collect dots. The most creative people I know fill their brains, their idea factories, with as much raw material as they can. They have voracious appetites.
Arrogance and a teachable spirit are mutually exclusive.
Slow down, take time, allow yourself to be wildly diverted from your plan. People are the soul of the place; don’t forget to meet them and enjoy their company as you explore a place.
Photographing a culture in the here and now often means photographing the intersection of the present with the past.
The real failure is to rob this world of the contribution only you can make, and to fail to make work that truly gives you that ‘this is what I was created to do’ feeling that has no equal.
You are responsible for every element within the frame.
As long as we’re alive and interacting with life, the world, and the people around us, we’ll have something to say.
A photograph can communicate a couple things— and sometimes only one thing—very well. The more you try to say with your photograph, the greater the chance that you will say nothing at all.
The cliché comes not in what you shoot but in how you shoot it.
A representational photograph says, ‘This is what Vienna looked like.’ An interpretational photograph goes one better and says, ‘This is what Vienna was like. This is how I felt about it.