The first time I drew a Superman story was ‘For Tomorrow’ with Brian Azzarello in 2004. It didn’t really hit me how important it was until I drew a scene early-on in the book that featured Superman crossing paths with a giant, intergalactic space armada.
We should’ve asked China to be a portion of the space station. We should’ve worked out ways that we can… just give away the technology that we have that puts things up into space, with cooperation up above the atmosphere that’s needed to help each other.
The characteristic of great innovators and great companies is they see a space that others do not. They don’t just listen to what people tell them; they actually invent something new, something that you didn’t know you needed, but the moment you see it, you say, ‘I must have it.’
Perhaps future space probes will be plastered in commercial logos, just as Formula One cars are now. Perhaps Robot Wars in space will be a lucrative spectator sport. If humans venture back to the moon, and even beyond, they may carry commercial insignia rather than national flags.
Dichotomies are an inherent part of comics, aren’t they? Comics are both pictures and words. They blend time and space. Many feature characters with dual identities like Bruce Wayne/Batman. Cartoonists also tend to live dichotomous lives because many of us have day jobs.
The only routine I have is going for a run and a swim with the dog in the morning, between 8am and 9am – that is my head-clearing space. I am religious about holding on to that time: whatever happens, I don’t want to know about it until after that.
As a kid, I was obsessed with space. Well, I was obsessed with nuclear science too, to a point, but before that, I was obsessed with space, and I was really excited about, you know, being an astronaut and designing rockets, which was something that was always exciting to me.
Designing a station with artificial gravity would undoubtedly be a daunting task. Space agencies would have to re-examine many reliable technologies under the light of the new forces these tools would have to endure. Space flight would have to take several steps back before moving forward again.
Housework never really bothered me… what bothered me about it later was that it was expected to be your life… when you’re a housewife, you are constantly interrupted. You have no space in your life. It isn’t the fact that you do the laundry.
From journalism I learned to write under pressure, to work with deadlines, to have limited space and time, to conduct and interview, to find information, to research, and above all, to use language as efficiently as possible and to remember always that there is a reader out there.
I think about the cosmic snowball theory. A few million years from now the sun will burn out and lose its gravitational pull. The earth will turn into a giant snowball and be hurled through space. When that happens it won’t matter if I get this guy out.
We call the fates of the Titanic and the Concordia – as well as those of the space shuttles Challenger and Columbia – ‘accidents.’ Foreseeing such undesirable events is what engineers are expected to do. However, design trade-offs leave technological systems open to failings once predicted, but later forgotten.
We have spent billions to go to the moon – we go to this lesser satellite called the moon and say we are in space, but we are in space right now; we just don’t feel ourselves to be in space. Some forms of art and some forms of spirituality do give us that sense.
Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience.
We have never lost a crew member on the space station, but of course, the Columbia accident. I was – I’d already been an astronaut for a decade when the crew of Columbia was killed. And I went through test pilot school. Rick Husband and I were out at Edwards at test pilot school together. He was the commander of Columbia.
When buyers see the pride of ownership – when they come in, and they’re impressed by how clean the place is – they can picture their kids playing on the floor. They can picture the family sitting around the table. When they can picture their own family in that space, instantly you grab them, and they’ll pay more money, too.
Tom Snyder was born to broadcast. He loved television and it loved him back. In that, he was a member of a vanishing breed, especially as narrowcasting displaces broadcasting, ‘online’ replaces ‘on the air,’ and any Tom, Dick or Mary can be monarch of a desktop domain, uplinking themselves to satellites in space.
People need to know that they have all the tools within themselves. Self-awareness, which means awareness of their body, awareness of their mental space, awareness of their relationships – not only with each other, but with life and the ecosystem.
I can sing the saddest song with a bunch of people, and the feeling of sharing that energy activates in a way that either heals it or makes me feel like I’ve risen a thousand miles above it into space, and I’m staring down on it as a little dot.
As filmmakers, we want the audience to have the most complete experience they can. For example, I interviewed Stanley Kubrick years ago around the time of ‘2001: A Space Odyssey.’ I was going to see the film that night in London, and he insisted I sit in one of four seats in the theater for the best view or not watch the film.
A lot of the progress in machine learning – and this is an unpopular opinion in academia – is driven by an increase in both computing power and data. An analogy is to building a space rocket: You need a huge rocket engine, and you need a lot of fuel.
Before 1915, space and time were thought of as a fixed arena in which events took place, but which was not affected by what happened in it. Space and time are now dynamic quantities… space and time not only affect but are also affected by everything that happens in the universe.
The privilege I’ve had as a curator is not just the discovery of new works… but what I’ve discovered about myself and what I can offer in the space of an exhibition – to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
During the dot-com days, one could take just about any company public and reap fortunes. All you had to do was to make sky-high projections for growth, say you were in the Internet space, and go along with unscrupulous investment bankers and their analysts.
Now that our kids are getting older, they need their space. We dug out the basement so they will have a place to go crazy in the wintertime. My son is already talking about how he’s going to make a skateboard ramp. It’s just a mosh pit down there, so they can do whatever they want. We’re not even going to finish it.
