The obvious thing to me was, let’s take freely floating masses in space and measure the time it takes light to travel between them. The presence of a gravitational wave would change that time. Using the time difference, one could measure the amplitude of the wave.
‘Storm Warnings’ is a poem about powerlessness – about a force so much greater than our human powers that while it can be measured and even predicted, it is beyond human control. All ‘we’ can do is create an interior space against the storm, an enclave of self-protection, though the winds of change till penetrate keyholes and ‘unsealed apertures.’
I started playing the guitar when we started filming the pilot to ‘Lost in Space,’ which was way back in December of 1964, and there’s a little bit in the pilot that was used in the first season where Will Robinson is sitting around some bad foam rubber rock playing and singing ‘Greensleeves.’
Two subsequent incidents of import established CNN: the explosion of the space shuttle Challenger in 1986, which CNN was the only network to cover as it happened, and the 1991 Gulf War, which CNN chronicled round the clock from a proximity as irresistible as it was alarming, bomb blasts and gunfire lighting up TV screens from coast to coast.
The most important part of my work on The Orion Building was the creation within the apartments of living space which inspires people and the way they live their lives, whether they have bought a one-bedroom apartment or the penthouse. This building is beautiful to see, sense, and experience.
Many people may not recognize that the development of space exploration technologies has already helped benefit Earth in many ways, especially when it comes to communications, Earth observation and even fostering economic growth. Space technologies are surprisingly critical in impacting government, industry and personal daily decision-making.
Architecture is always the will of the age conceived as space – nothing else. Until this simple truth is clearly recognized, the struggle over the foundation of a new architecture confident in its aims and powerful in its impact cannot be realized; until then, it is destined to remain a chaos of uncoordinated forces.
When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days – museums have to bring in money – but they gobble up space and push the art itself far away from the entrance.
The whole world appears to me like a huge vacuum, a vast empty space, whence nothing desirable, or at least satisfactory, can possibly be derived; and I long daily to die more and more to it; even though I obtain not that comfort from spiritual things which I earnestly desire.
King Princess is like an attitude. I take comfort in it as kind of a shield to exist in, where I can make cohesive art. And it’s androgynous, which is intentional. It’s important to me that my art exist in a kind of neutral space, genderless to some degree. And give the listener some imagery to hold on to.
I thought I was prepared for space, and it still absolutely defied every expectation and dream. It is an incredible thing to put yourself on a rocket and launch off the planet. It is an amazing thing to see the planet from space. This blue sphere is almost indescribably beautiful.
Here we were, the only seven humans in space, repairing a telescope whose only purpose is to enrich the minds of people on planet Earth and increase our understanding of the workings of the universe. I can think of no better peaceful use of space for all humankind.
It was Apollo 8 that first showed us the tiny blue marble of Earth floating in the void of space, one of the great psychological shifts in human history. From out there, we can both appreciate and begin to solve the problems of our world in ways unavailable to us otherwise.
Every bit of me is devoted to love and art. And I aspire to try to be a teacher to my young fans who feel just like I felt when I was younger. I just felt like a freak. I guess what I’m trying to say is I’m trying to liberate them, I want to free them of their fears and make them feel that they can make their own space in the world.
We never deal with propaganda. We never deal with politics. We never deal with newspaper headlines. We deal with the harsh realities of our lives. We will only comment when there is more bread to eat, more space in which to move, time in which to open your mouth and sing. As long as these things have not happened, we do not talk about politics.
There are definitely parts of Asia, Central America that when you look at them from space, you’re always looking through a haze of pollution. As far as the atmosphere is concerned, and being able to see the surface, you know, I would say definitely those areas that I mentioned look kind of sick.
I suppose that every time there is difficulty. I remember about Space Mountain: It took us ten years before we found the technology that would allow such a ride. And during these ten years, I had a model that I kept, waiting for the technology we needed.
I am sharing screen space with Ranbir Kapoor, but I am not exactly playing Sanjay Dutt’s love interest, I am one of his encounters… It’s just a cameo, but I would take my role as important, as it is a biopic on Sanjay Dutt, so whatever is important in his life is being shown in the film.
There is no time and space limitation for public accountability on the Internet. Creative commonality is standard and does not resemble the authoritarian style of the dead communist experience. It seems that it is no longer society’s obligation to understand legislation; it is a duty for governments to be understood by their people.
I would like to fly in space. Absolutely. That would be cool. I used to just do personally risky things, but now I’ve got kids and responsibilities, so I can’t be my own test pilot. That wouldn’t be a good idea. But I definitely want to fly as soon as it’s a sensible thing to do.
We collectively have a special place in our heart for the manned space flight program – Apollo nostalgia is one element, but that is only part of it. American culture worships explorers – look at the fame of Lewis and Clark, for example. The American people want to think of themselves as supporting exploration.
For me, it’s always this constant battle and search when I’m out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and interact with the band members.
Point-to-point transit via low orbit could dramatically speed up international flights, connecting the world even further. And safe, consistent space travel opens up the possibility of commercial space stations, trips to the moon and exploration beyond.
When we started with ‘Big Brother’ and created the reality genre, no one could ever foresee that there was so much space in the genre that it could deliver so many formats. There will be periods where there is not enough new stuff to keep the genre alive. But it will never die.
The body moves through space every day, and in architecture in cities that can be orchestrated. Not in a dictatorial fashion, but in a way of creating options, open-ended sort of personal itineraries within a building. And I see that as akin to cinematography or choreography, where episodic movement, episodic moments, occur in dance and film.
