When I start a picture, I always have a script, but I change it every day. I put in what occurs to me that day out of my imagination. You start on a voyage; you know where you will end up but not what will occur along the way. You want to be surprised.
When we talk about novels, we don’t often talk about imagination. Why not? Does it seem too first grade? In reviews, you read about limpid prose, about the faithful reproduction of consciousness, about moral heft, but rarely about the power of pure, unadulterated imagination.
Begin noticing and being careful about keeping your imagination free of thoughts that you do not wish to materialize. Instead, initiate a practice of filling your creative thoughts to overflow with ideas and wishes that you fully intend to manifest. Honor your imaginings regardless of others seeing them as crazy or impossible.
I think humans have always felt watched back by whatever is out there flickering in the distance. What excites me is what the imagination creates, not simply in explanation of what is there but also to explain or justify the feeling of awe and attachment that the heavens inspire.
The struggle for Zimbabwe lit up the imagination of people around the world. In London, New York, Accra and Lagos, bell-bottomed men and women with big hair and towering platform shoes sang the dream of Zimbabwe in the words of the eponymous song by Bob Marley: Every man has the right to decide his own destiny.
Today mythical thinking has fallen into disrepute; we often dismiss it as irrational and self-indulgent. But the imagination is also the faculty that has enabled scientists to bring new knowledge to light and to invent technology that has made us immeasurably more effective.
‘Fright Night’ I can just about deal with. Because the original is such a 1980s extravaganza. Which is a good thing. Obviously. But something like ‘The Others’ or anything psychological: I’m no good with that. I don’t like it when there’s space for me to use my imagination.
The writer’s goal is to try to make it frightening without describing it too much, and yet not making it so grey that you don’t know what’s going on… Your imagination can imagine all sorts of really horrible things, and if you’re able to prolong that feeling, then you’ve succeeded.
I have turned away from the thought of writing fiction in the past through what I suppose is, actually, fear. The direct, raw invitation for the reader to come in and explore my imagination is fairly scary for me so I have busied myself with so much else.
I feel like fame can get into people’s head, and you always hear that child actors are doing this, or parents are making their kids do that. I feel like, since we’re kids, we have an imagination where we can do whatever we want at any time and if that it is their passion, they will tell you.
I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that’s in the world of the supernatural or the world of the fantastic, so that’s why those kinds of stories about demons and the supernatural appeal to me or maybe I’m really interested in that subject.
When you’re starting off as a young writer, you look at all the stuff that’s gone before and the stuff that’s influenced you, and you reach the ladle of your imagination into this bubbling stew pot of all of this stuff, and you pour it out. And that’s where you start from.
I had an incredibly full life with my imagination: I used to have all sorts of trolls and things; I had a wonderful world around my toys and invented people. I don’t mean I had imaginary friends; I just had this big imagination thing going on. I didn’t need any imaginary friends, because I had so much other stuff going on.
I’ve taken on impossible fights before and won and I’ve done it not by taking on the tactics and techniques of demagogues and bullies but by calling people to our higher angels, calling to the moral imagination of communities about what we can be and what we can achieve together.
You can’t be a 21st-century science fiction writer writing about Mars without doing tips of the hat to Edgar Rice Burroughs, to Ray Bradbury, to H.G. Wells, to the guys who first put it in the public imagination that Mars was an exciting place.
Don’t stay at the job for safe salary increases over time. That will never get you where you want – freedom from financial worry. Only free time, imagination, creativity, and an ability to disappear will help you deliver value that nobody ever delivered before in the history of mankind.
I’ve developed a theory that there’s an inverse relationship between money and imagination. That if you’ve got lots of imagination then you don’t really need much money, and if you’ve got lots of money then you won’t bother with much imagination.
Sadly, semi-consciousness, along with daydreaming, is a capacity that is actively discouraged among children in schools, and our society is much poorer and harsher as a consequence. The value of liminal space and transitional imagination remain personally and culturally undeveloped.
I first came across the script for ‘Macbeth’ between the ages of 11 and 12; it was the first book that shook my life. Because I did not yet understand that I could simply purchase it in a bookstore, I copied much of it by hand and took it home. My childhood imagination pushed me to feel like a co-author of the play.
People are always saying it’s the end of the Gutenberg era. More to the point, it’s a return to an oral era. The Gutenberg galaxy was about the written word. At its best, the digital era is part of the rediscovery of the oral. At its worst, it’s a Kafkaesque victory of the bureaucratic over the imagination.
It’s just a way of trying to get to a third thing that’s not particular to any quote-unquote genre. It’s been great for me; it’s really opened me up and gotten me to use that part of my imagination. It’s very scary in a lot of ways, and just as exciting.
The American people want something terse, forcible, picturesque, striking – something that will arrest their attention, enlist their sympathy, arouse their indignation, stimulate their imagination, convince their reason, awaken their conscience.
By no stretch of the imagination can you describe me as a Wall Street lawyer. If you’re going to do that, you’d have to say that 7,500 people who work here in Southwestern Pennsylvania for the Bank of New York Mellon with good family jobs are Wall Streeters.
Self-reliance – that’s a dirty word to Democrats. They want people to believe that self-reliance means you don’t do anything with anybody. They don’t want it thought of as accepting responsibility for one’s life. Enterprise. Imagination. Independence. Entrepreneurism.
Americans rightly, but sometimes excessively, celebrate every person in uniform as a hero, but seldom honor the difficult and often dangerous work being done day after day by members of our diplomatic corps. Warriors capture the popular imagination more easily than peacemakers.
