I don’t want my work to be an exposure of my feelings.
Old art offers just as good a criticism of new art as new art offers of old.
I think that one wants from a painting a sense of life. The final suggestion, the final statement, has to be not a deliberate statement but a helpless statement. It has to be what you can’t avoid saying.
I assumed that everything would lead to complete failure, but I decided that didn’t matter – that would be my life.
As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a confusion, or a freedom.
I have no ideas about what the paintings imply about the world. I don’t think that’s a painter’s business. He just paints paintings without a conscious reason.
I wish there were more humor in my work than I see in it.
One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space.
When something is new to us, we treat it as an experience. We feel that our senses are awake and clear. We are alive.
I think a painting should include more experience than simply intended statement.
My experience of life is that it’s very fragmented; certain kinds of things happen, and in another place, a different kind of thing occurs. I would like my work to have some vivid indication of those differences.
As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a freedom or a confusion.