I did The ‘Acid Test’ at the Royal Court, by Anya Reiss, who’s the most wonderful, amazing female writer. She was only 19 when she wrote it. She wrote it about three girls in a flat on a Friday night, and that was magic because it was so rare to have three girls in your age group in a play. It just doesn’t happen.
I think for business reasons, fiscal reasons, I think these cable networks can take greater risks and I think with a risk comes better programming. And I think USA has got an amazing identity to it now that is clearly defined with its ‘Characters welcome’ tag.
I’m extremely positive about investment in Africa. Africa has a wonderful climate, wonderful people, and amazing possibilities. Africa has been called dark and hopeless, but today it is neither of these. Africa is awakening. It’s a huge market of almost a billion people with huge resources and a young population. It’s the best place to invest.
The most amazing thing for me is that every single person who sees a movie, not necessarily one of my movies, brings a whole set of unique experiences. Now, through careful manipulation and good storytelling, you can get everybody to clap at the same time, to hopefully laugh at the same time, and to be afraid at the same time.
My favorite part about modeling is probably my least favorite part as well. It’s traveling. Because it goes both ways. It’s so amazing to get to see the world; we’re so fortunate to go to all these places that I would never be in unless I was a model.
After leaving school, I travelled around Europe for about six months. In Denmark, I thought that was my chance to get an amazing haircut, so I went to what I thought was a great hairdresser. It turned out to be the car wash of hairdressers, and I walked out sporting yet another pudding bowl, but this time with a stripe bleached down the centre.
I’ve had an amazing life, but I think I was born with a little bit of sadness in me. I’ve always been attracted to those things, whether it’s sad movies, sad music… when you’re sad, you feel everything in a greater way than you do when you’re happy.
I knew from the first episode that ‘Longmire’ was something special – I met the writers/exec producers, read the script, and knew it was special, so to have the network and the studio and the fans get behind it in the way that they have has been really amazing.
I lived in Italy for two months when I was in college. And I traveled to Paris. I traveled to Egypt. I traveled to Spain. I just would travel a lot. I remember going to Paris and saying, speaking French, ‘I would like some chicken and some fries.’ And just the chicken and fries was, oh my gosh, just so amazing. I became intrigued and inspired.
Women come up to us all the time and give us the most amazing compliments, like, ‘Salt-N-Pepa was the soundtrack of my life.’ They remind us that we meant so much to them. Sometimes artists don’t really grasp that. But when you talk to fans, you get in touch with your legacy.
‘Aladdin’ was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. ‘Aladdin’ was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn’t a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.
Failure is ultimately very liberating. Once you come out the other side of it, you just might have faced one of your biggest fears and lived. The other side of failure is a big elimination of fear of failure. Trust me, that is an amazing gift.
I’m not an Adonis, that’s for damn sure. I’ve never really thought of myself that way, and it doesn’t matter to me. My favorite actors aren’t Adonises. Dustin Hoffman is a flawed-looking man; he’s amazing to me. Tom Hanks is flawed-looking; people love him. Same with Gene Hackman.
The problem with relegating black history to one really short month, the shortest month, is not only are we telling the same stories over and over again – which are amazing, George Washington Carver is incredible, there’s nobody like Frederick Douglass – but there are so many.
The amazing thing about love and attention and encouragement and grace and success and joy is that these things are infinite. We get a new supply every single morning, and so we can give it away all day. We never, ever have to monitor the supply of others or grab or hoard.
Lyrics are important, but it’s hard, because English isn’t my first language – although it feels like it is these days! I grew up with amazing melodies, so getting that right on a song has always been the key thing for me, but there’s no reason why a great melody doesn’t deserve great lyrics.
My mother was the greatest example to me of anyone I’ve ever known. She didn’t have an easy life. I adored her. She worked hard all her life, and she was the one who set my values. She was quite an amazing woman, although she wasn’t tough at all.
It is quite amazing how hard the subconscious works when it is made to understand that this life is not a rehearsal, there is no safety net and no assurance of any final closure. It is also quite appalling to realize how catatonic the imagination can become when we hedge our bets, opt for the safer direction at every fork in the path.
It’s been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they’ve got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all.
My kids are my No. 1 priority. They’re the light in my everyday life. The sunshine. The miracle. Those eyes. Those smiles. At the same time, I have an extended, amazing family that is my audience. All these people have been with me for such a long time. I have these two responsibilities.
In ‘The Matrix,’ you see the fight between Keanu Reeves and Lawrence Fishburne. It’s an amazing fight. But I know that they’ve rehearsed it for months beforehand. Because in some of the moves you can see them anticipating blocks before they actually happen.
I am writing a book called ‘The History of Australia in Hundred Objects.’ It’s of things we have invented in Australia. And you know, some of them are amazing. We invented the clapper boards used in films. We invented those cranes – those big long cranes used on construction sites.
Half a century ago, the amazing courage of Rosa Parks, the visionary leadership of Martin Luther King, and the inspirational actions of the civil rights movement led politicians to write equality into the law and make real the promise of America for all her citizens.
I seriously love to cook… My grandmother was an amazing cook. As a kid I used to help her make handmade pasta, Cavatelli and Ravioli. It was one of my favorite things to do. I love the idea of making whatever is in the fridge into something.
I never travel without my Stetson, but the more I wear it the more I realise that no one wears hats any more. When I was a kid everybody wore hats, especially in Texas, but I get off the plane in Dallas now and I’m the only guy with a hat. It’s amazing.
